Steven Brennfleck

Praised by Opera News for his “sensitive” tenor and by the New York Times as a “standout” performer, Steven Brennfleck has been consistently acknowledged for his consummate artistry, vocal flexibility, and moving interpretations on the operatic stage in the United States and abroad. During the 2023-24 season, he made his international debut as Ernesto in Don Pasquale at the Ópera Nacional de Chile. His recent operatic credits include performances with American Opera Projects, Glimmerglass Opera, OrpheusPDX, Portland Opera, Spoleto Festival USA, The Tanglewood Festival and others in roles such as Roderick Usher in Philip Glass’ The Fall of the
House of Usher, Don Ramiro | Cenerentola, Tamino | Die Zauberflöte, Laurie in Adamo’s Little Women, Madwoman in Britten’s Curlew River, Gonsalve in Ravel’s L’Heure Espagnol,Henrik | A Little Night Music, and Tobias Ragg | Sweeney Todd.

On the concert stage, Dr. Brennfleck has been hailed for his “Outstanding presence and clear, lyric voice” (Texas Classical Review) and “elegant” musicianship (The Baltimore Sun). He is a passionate interpreter of early music and regularly appears with some of the country’s top Baroque musical organizations in works by Bach, Handel, Monteverdi, the French hautre-contre repertory and others. He made his Carnegie Hall debut in 2012 and finds himself equally at home with art song as well as new and contemporary works. Dr. Brennfleck is a featured artist on recordings of Philip Glass’ Orphée with the Portland Opera and Charles Wuorinen’s cantata It Happens Like This. Recent collaborations include appearances with the Alabama Symphony Orchestra, American Bach Soloists, Ars Lyrica Houston, Austin Symphony Orchestra, Colorado Bach Ensemble, LA International New Music Festival, Philadelphia’s Lyric Fest, the MET Chamber Ensemble and the Victoria Bach Festival.

In addition to his performance schedule, Dr. Brennfleck is a certified teacher of the Alexander Technique.