Lecturer in Film Scoring
Sam Lipman is an award-winning multi-media composer in the Austin Area, where he teaches Film Scoring and Audio Production at the University of Texas. Most recently Sam composed and orchestrated score for Terrence Malick’s The Last Planet featuring the Budapest Scoring Orchestra, co-scored Richard Linklater/Cate Blanchett’s Where’d You Go Bernadette, and composed the all-electronic score for Ramona Diaz' Sundance-Acclaimed documentary A Thousand Cuts featuring George and Amal Clooney. His score for 2017 documentary Southwest Of Salem shortlisted for an Oscar© for Best Original Song In a Movie, and his score for theatrical play Matawan won the 2019 Austin Critics Table Award. He has composed works for the New Jersey Symphony Orchestra, recorded with members of Miró Quartet, and composed several theater scores for UT Theater & Dance Department, where he held the Composer-In-Residence position for two years. Sam’s classical works are performed internationally, most recently in NYC’s Carnegie Hall. Sam is most passionate about the power of music in storytelling, and grateful for the opportunity work and teach in his chosen field.
MUS 376J
Film Scoring
Fathom
2021, Apple
Blue Miracle
2021, Netflix
Cyst
2020, FantomFilms
A Thousand Cuts
2020, PBS
The Eternal Wife
2019
Where'd You Go, Bernadette
2019, Annapurna Pictures
El Vacio
2019, Concordia Studio
Texas Cotton
2018, Indie Rights
Glow
2017, Studio Loco
Southwest of Salem: The Story of the San Antonio Four
2016, Motto Pictures/Naked Edge Films
Tokenized
2016, Creative Action Youth Cinema Collective
Lipman on the Front Lines
Film Score Monthly
A Thousand Cuts: Film Review
February 2020, Variety
UT Dance Repertory Theatre’s Fall for Dance
November 2017, The Austin Chronicle
Contact Information
Email address
samuel.
Campus location
MRH 3.116 G
Teaching Areas
Composition
Film Scoring
Research Areas
Contemporary Film Scoring & Production
Education
Master of Music
The University of Texas at Austin
Bachelor of Music
The University of Texas at Austin