James Gabrillo

Portrait of James Gabrillo

Assistant Professor of Musicology and Ethnomusicology

About

James Gabrillo’s work examines contemporary music, sound, and cultural life, with particular interests in the Philippines and Asian diasporas. He is the author of Pop Convergence: Musical Multimedia in Manila (Oxford University Press, 2024), and his current research extends across sound art, recording, and notation. At The University of Texas at Austin, he teaches courses in popular music, Asian American music, experimental media, and ethnographic methods. Before joining UT, he was a postdoctoral fellow at Princeton University and taught at The New School. He earned his Ph.D. from the University of Cambridge and previously worked as a journalist and editor.

Courses

UGS 303 
Global Pop

MUS 381J 
Analytical & Ethnographic Methods

MUS 334 / 380 
Music of Asian Americans

MUS 379K / 385J / 387L 
Experimental Media & Performance Art


 

Recent Publications

“Navigating Ecosystems in the Contemporary Philippine Music Industry.” In Music Ecosystems: Challenges and Opportunities. Springer, 2026.

“Ghost in the Machine: AI’s Sonic Disruption in Manila.” Ethnomusicology Forum 34/2 (2025): 251–257.

Pop Convergence: Musical Multimedia in Manila, Oxford University Press, 2024.

‘Turn to Kitsch: Eat Bulaga! and the Arrangement of Musical Humor in Philippine Television,’ chapter for Oxford Handbook of Arrangement Studies, ed. Ryan Bañagale, Oxford University Press, 2024.

James Gabrillo’s work examines contemporary music, sound, and cultural life, with particular interests in the Philippines and Asian diasporas. He is the author of Pop Convergence: Musical Multimedia in Manila (Oxford University Press, 2024), and his current research extends across sound art, recording, and notation. At The University of Texas at Austin, he teaches courses in popular music, Asian American music, experimental media, and ethnographic methods. Before joining UT, he was a postdoctoral fellow at Princeton University and taught at The New School. He earned his Ph.D. from the University of Cambridge and previously worked as a journalist and editor.

UGS 303 
Global Pop

MUS 381J 
Analytical & Ethnographic Methods

MUS 334 / 380 
Music of Asian Americans

MUS 379K / 385J / 387L 
Experimental Media & Performance Art


 

“Navigating Ecosystems in the Contemporary Philippine Music Industry.” In Music Ecosystems: Challenges and Opportunities. Springer, 2026.

“Ghost in the Machine: AI’s Sonic Disruption in Manila.” Ethnomusicology Forum 34/2 (2025): 251–257.

Pop Convergence: Musical Multimedia in Manila, Oxford University Press, 2024.

‘Turn to Kitsch: Eat Bulaga! and the Arrangement of Musical Humor in Philippine Television,’ chapter for Oxford Handbook of Arrangement Studies, ed. Ryan Bañagale, Oxford University Press, 2024.

Contact Information

Campus location
MRH 3.746

Teaching Areas

Musicology & Ethnomusicology

Research Areas

Popular Music

Digital Cultures

Multimedia Technologies

Sound Studies

Education

Doctor of Philosophy
University of Cambridge

Master of Philosophy 
University of Cambridge

Bachelor of Arts 
University of the Philippines Diliman