Miguel Zenón Quartet
ISJAC International Jazz Composers’ Symposium

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Miguel Zenón sits in a dark room on a black sofa with his saxophone across his lap

Multiple Grammy Nominee and Guggenheim and MacArthur Fellow Miguel Zenón represents a select group of musicians who have masterfully balanced and blended the often contradictory poles of innovation and tradition. Widely considered as one of the most groundbreaking and influential saxophonists of his generation, he has also developed a unique voice as a composer and as a conceptualist, concentrating his efforts on perfecting a fine mix between Latin American Folkloric Music and Jazz.

Born and raised in San Juan, Puerto Rico, Zenón has released twelve recordings as a leader, including the Grammy Nominated Sonero: The Music of Ismael Rivera (2019), Yo Soy La Tradición (2018) and Típico (2017). As a sideman he has worked with jazz luminaries such as The SFJAZZ Collective, Charlie Haden, Fred Hersch, Kenny Werner, David Sánchez, Danilo Perez, The Village Vanguard Orchestra, Kurt Elling, Guillermo Klein & Los Guachos, The Jeff Ballard Trio, Antonio Sanchez, David Gilmore, Paoli Mejías, Brian Lynch, Jason Lindner, Miles Okazaki, Ray Barreto, Andy Montañez, Jerry Gonzalez & The Fort Apache Band, The Mingus Big Band, Bobby Hutcherson and Steve Coleman.

Zenón has been featured in publications such as The New York Times, The Wall Street Journal, The Los Angeles Times, The Boston Globe and The Chicago Tribune. In addition, he topped both the Jazz Artist of the Year and Alto Saxophonist categories on the 2014 Jazz Times Critics Poll and was selected as the Alto Saxophonist of the Year by the Jazz Journalist Association in 2015, 2018, 2019 and 2020 (when he was also recognized as Arranger of The Year).

As a composer he has been commissioned by SFJAZZ, NYO Jazz, The New York State Council for the Arts, Chamber Music America, Logan Center for The Arts, The Hyde Park Jazz Festival, The John Simon Guggenheim Foundation, MIT, Jazz Reach, Peak Performances, PRISM Quartet and many of his peers. Zenón has given hundreds of lectures and master classes at institutions all over the world and is a permanent faculty member at The New England Conservatory, The Manhattan School of Music and serves as the current Artist-InResidence for the Zucherman Institute at Columbia University. In 2011 he founded Caravana Cultural, a program which presents free-of-charge Jazz concerts in rural areas of Puerto Rico. In April 2008 Zenón received a fellowship from the prestigious John Simon Guggenheim Foundation. Later that year he was one of 25 distinguished individuals chosen to receive the coveted MacArthur Fellowship, also known as the “Genius Grant”.


About the Symposium

The ISJAC International Jazz Composers’ Symposium is a bi-annual conference that brings hundreds of jazz composers, arrangers, educators, and industry executives together for three days of concerts, lectures, panel discussions, and the presentation and honoring of new jazz compositions and arrangements. The Symposium is known as a robust, yet intimate gathering of the world’s finest jazz writers. As a central tenet of the ISJAC mission, the Symposium seeks to unite, develop, and electrify the our global community of jazz arrangers and composers.


 

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If you'd like to see all three ISJAC concerts May 12–14, purchase an ISJAC subscription package for 30% off!

Seating is unassigned. If you are a patron with ADA needs, please email tickets@mail.music.utexas.edu and we will reserve ADA seating for you. 

Due to limited tickets available to the general public for this concert, no comp tickets will be distributed. 

All registered symposium attendees will receive tickets in their registration packets. 

We will not be reducing audience capacity for ISJAC events. We strongly encourage all attendees to follow CDC recommendations to protect themselves from COVID-19. 

Event Types
Jazz New Music