Amy Frishkey

she/her

a Portrait of Amy Frishkey

Lecturer in Ethnomusicology

Amy Frishkey is an ethnomusicologist who specializes in popular music of the African diaspora in the Americas, exceptional vocality, and the world music and B2B background music industries. Her forthcoming book, Navigating Neo-Traditionalism in Garifuna Popular Music (Lexington Books, 2025), discusses the profound influence of neo-traditionalism upon Garifuna popular music since the mid-2000s and the different ways in which artists interpret and realize this aesthetic and ideological orientation as a way to contend with neoliberal socioeconomic developments. Dr. Frishkey’s current research and next book project focus on the vocal “break” between the speaking range and the falsetto (or “head” and “chest” voice) and the sociocultural meanings and metaphors that arise to make sense of this physiological “border crossing” within singing traditions around the world.
 
Dr. Frishkey has taught at UCLA, UC Riverside, University of Redlands, and Texas Folklife. She has presented her research at conferences for the Society for Ethnomusicology (SEM), the International Association for the Study of Popular Music (IASPM), the Association for the Study of the Worldwide African Diaspora (ASWAD), Seattle’s Museum of Pop Culture, the American Musicological Society (AMS), and New York University’s Music and the Moving Image. Her articles can be found in the journals Radical Musicology and Diagonal: An Ibero–American Music Review and in the edited volumes The Garifuna Music Reader and The Oxford Handbook of Global Popular Music

MUS 334/AFR 374F/LAS 326/MUS 380
Music of the African Diaspora

(Forthcoming) Navigating Neo-Traditionalism in Garifuna Popular Music. (Lanham, MD: Lexington Books, 2025).
 
(Forthcoming) “Genius and Mystery in World Music’s Discourses” in Oxford Handbook of Global Popular Music, edited by Simone Krüger Bridge (Oxford: Oxford University Press, 2024). 
 
Standing the Test of Time: Neo-Traditionalism as Neoliberalism in Garifuna World Music (invited essay),” Diagonal: An Ibero–American Music Review Vol. 6, No. 3 (2021): 65-73. 
 
“Punta Rock: A Musical Ethnography” in The Garifuna Music Reader, edited by Oliver N. Greene, Jr. (San Diego: Cognella, Inc., 2018), 220-264.
 
“Planet Voice: Strange Vocality in ‘World Music’ and Beyond,” Radical Musicology Vol. 6 (2012-2013).

Contact Information

Campus location
MRH M3.110

Teaching Areas

Ethnomusicology 

Research Areas

African Diaspora in the Americas (Caribbean, Central America, and the U.S.)

Vocality

Music and Metaphor

Music Industries

Education

Doctor of Philosophy
University of California, Los Angeles

Master of Arts
University of California, Los Angeles

Bachelor of Arts
University of North Texas